{"id":938,"date":"2021-11-12T15:33:11","date_gmt":"2021-11-12T14:33:11","guid":{"rendered":"https:\/\/oultimomomento.com\/portfolio-item\/ce-qui-reste\/"},"modified":"2022-03-19T08:21:43","modified_gmt":"2022-03-19T07:21:43","slug":"ce-qui-reste","status":"publish","type":"portfolio","link":"https:\/\/oultimomomento.com\/en\/portfolio-item\/ce-qui-reste\/","title":{"rendered":"Ce qui reste"},"content":{"rendered":"

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45 min
\nFrontal or circular show, can be performed in halls, tents and outdoors at night<\/span><\/h3>
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\r\n\t\tIn the repertoire<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>

Ce qui reste<\/em> was born of the encounter between two Chinese pole acrobats, Jo\u00e3o Paulo Santos and Guillaume Amaro, and also of the desire to confront points of view, to open up the possibilities with the fresh eyes of a director, Olivier Antoine.<\/span><\/h3>[vc_column_text]Ce spectacle transcende les limites du m\u00e2t chinois, discipline ch\u00e8re \u00e0 Jo\u00e3o Paulo Santos. Ainsi, danse, acrobaties au sol, m\u00e2t b\u00e2ton, musique et vid\u00e9o se m\u00e9langent et se conjuguent.<\/p>\n

\u00c0 travers cette cr\u00e9ation, Jo\u00e3o Paulo Santos invente un autre rapport \u00e0 sa pratique avec un instrument atypique : le m\u00e2t b\u00e2ton. Une nouvelle porte s’ouvre alors dans la recherche acrobatique autour du m\u00e2t. Non plus fixe, le m\u00e2t devient mobile, objet manipul\u00e9. Les acrobates entament d\u00e9sormais une danse avec la verticale sans qu’elle soit fix\u00e9e en une ligne. La verticale gagne l’horizontale et c’est l’espace entier maintenant qui peut se verticaliser.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ tablet_sm_width=”1-3″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″ column_effect=”vertical-parallax” mobile_column_effect=”none”]

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\"ce-qui-reste-1\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][vc_column width=”1\/4″ column_effect=”vertical-parallax” mobile_column_effect=”none”]
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\"ce-qui-reste-4\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row padding_top_multiplier=”4x” padding_bottom_multiplier=”4x” rc_bg_type=”color” rc_bg_color=”#000000″][vc_column animation_delay=”800″ animation_duration=”very-slow” rc_font_color=”#ffffff”][vc_column_text css=”.vc_custom_1647095959527{padding-bottom: 15px !important;}”]Teaser – Ce qui reste[\/vc_column_text]
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\r\n\t\tMore<\/span><\/a>\t\t
\t\t\t\t\r\n\t\t\t\t\t<\/polygon>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div>
\"ce-qui-reste-7\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][\/vc_row][vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1647421906545{margin-bottom: 0px !important;}”]Ce qui reste<\/em> takes its inspiration from a short story, The lost sailor<\/em>, from the book by neurologist Oliver Sacks The man who mistook his wife for a hat.<\/em><\/p>\n

A man who…<\/em>
\nA man who glides over the absurdity of events<\/em>
\nA man looking for the scent of a memory<\/em>
\nA man who fears the sight of his shadow<\/em>
\nA man searching for the meaning of his existence<\/em>
\nThe laughable hope of a disoriented man.<\/em><\/p>\n

Is this man without memory, stuck in a constantly changing, meaningless moment, a real person or a product of our imagination, a reflection of ourselves?[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” rc_bg_type=”image” rc_bg_image=”686″ rc_bg_image_type=”fixed”][vc_column grve_css=”{“desktop“:{“padding-top“:“24%“,“padding-bottom“:“24%“,“class“:“grve-wpb-1645141457901“}}”][\/vc_column][\/vc_row][vc_row padding_top_multiplier=”3x” rc_bg_type=”color” separator_bottom_size=”30px” rc_bg_color=”#f0f0f0″][vc_column width=”1\/2″]

Cast<\/span><\/h6>[vc_column_text text_style=”small-text”]Art Direction<\/strong> Jo\u00e3o Paulo Santos
\nDirection<\/strong> Olivier Antoine
\nCreation by and with<\/strong> Guillaume Amaro, Jo\u00e3o Paulo Santos
\nMusic and sound<\/strong> Marek Hunhap
\nLighting design<\/strong> Nicolas Le Cl\u00e9zio et Alrik Reynaud
\nStage management<\/strong> Alrik Reynaud
\nCostumes<\/strong> Fanny Mandonnet
\nProduction \/ Diffusion<\/strong> Flore Vitel[\/vc_column_text][\/vc_column][vc_column width=”1\/2″]
Partners<\/span><\/h6>[vc_column_text text_style=”small-text” css=”.vc_custom_1647340387246{padding-bottom: 30px !important;}”]Coproductions<\/strong> Cirque Th\u00e9\u00e2tre d’Elbeuf, Centre des Arts du cirque de Haute Normandie – L’Hippodrome – Sc\u00e8ne Nationale de Douai – Culturgest – Lisbonne, Portugal – L’\u00e9quinoxe, Sc\u00e8ne Nationale de Ch\u00e2teauroux – La Verrerie – Pole National des Arts du Cirque en r\u00e9gion Languedoc-Roussillon – Teatro Municipal do Guarda, Portugal – Fondazione TPE, Festival Teatro a Corte, Italie Partners<\/strong> Minist\u00e8re de la Culture et de la Communication avec l’aide \u00e0 la cr\u00e9ation pour le cirque de la Direction G\u00e9n\u00e9rale de la Cr\u00e9ation Artistique, l’aide \u00e0 la production dramatique de la Direction R\u00e9gionale des Affaires Culturelles en Ile de France With residency support from<\/strong> O Espa\u00e7o do Tempo – Montemor-O-Novo – L’Acert – Tondela – Le R\u00e9seau des \u00c9quipements Culturels (QREN) – Le Bateau feu, Sc\u00e8ne Nationale de Dunkerque – La Cascade, Maison des arts du Cirque et du Clown, Bourg-Saint-And\u00e9ol – Sc\u00e8nes et Cin\u00e9s ouest Provence – Th\u00e9\u00e2tre de la Colonne, Miramas – Acad\u00e9mie Fratellini, Saint-Denis – Circadour – Ju-Bellock[\/vc_column_text][vc_column_text text_style=”small-text”]\u00a9 photos<\/strong> Flore Vitel, Milan Szypura[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]
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+ More shows<\/span><\/h4>
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\r\n\t\t\t\tMundo interior<\/span><\/a>\r\n\t\t\t\t
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Mundo interior<\/span><\/h5>\r\n\t\t\t\t\t\t\t
Chinese pole solo\n
Creation 2017<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Abril<\/span><\/h5>\r\n\t\t\t\t\t\t\t
Chinese pole, aerial rope and suspended baton duo\n
Creation 2015<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Chinese pole duo\n
Creation 2010<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Double Chinese pole solo\r\n
Creation 2009<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Contigo<\/span><\/h5>\r\n\t\t\t\t\t\t\t
Chinese pole solo
Creation 2006<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Chinese pole and music duo\r\n
Creation 2005<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Voar<\/span><\/h5>\r\n\t\t\t\t\t\t\t
Chinese pole solo
Creation 2005<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row padding_top_multiplier=”” padding_bottom_multiplier=”2x”][vc_column width=”1\/2″ tablet_sm_width=”2-3″][vc_column_text]Ce spectacle transcende les limites du m\u00e2t chinois, discipline ch\u00e8re \u00e0 Jo\u00e3o Paulo Santos. Ainsi, danse, acrobaties au sol, m\u00e2t b\u00e2ton, musique et vid\u00e9o se m\u00e9langent et se conjuguent. \u00c0 travers cette cr\u00e9ation, Jo\u00e3o Paulo Santos invente un autre rapport \u00e0 sa pratique avec un instrument atypique : le m\u00e2t b\u00e2ton. […]<\/p>\n","protected":false},"author":1,"featured_media":839,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[19],"portfolio_field":[],"class_list":["post-938","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-in-the-repertoire","grve-entry-item"],"yoast_head":"\nCe qui reste - O Ultimo Momento<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oultimomomento.com\/en\/portfolio-item\/ce-qui-reste\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ce qui reste - O Ultimo Momento\" \/>\n<meta property=\"og:description\" content=\"[vc_row padding_top_multiplier=”” padding_bottom_multiplier=”2x”][vc_column width=”1\/2″ tablet_sm_width=”2-3″][vc_column_text]Ce spectacle transcende les limites du m\u00e2t chinois, discipline ch\u00e8re \u00e0 Jo\u00e3o Paulo Santos. Ainsi, danse, acrobaties au sol, m\u00e2t b\u00e2ton, musique et vid\u00e9o se m\u00e9langent et se conjuguent. \u00c0 travers cette cr\u00e9ation, Jo\u00e3o Paulo Santos invente un autre rapport \u00e0 sa pratique avec un instrument atypique : le m\u00e2t b\u00e2ton. 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